Oberlune shapes Paragon four ways on Deep Orizon
Four readings of one idea: Oberlune's Paragon lands on Deep Orizon with an instrumental cut, a Selvorn remix and a deep house original, all locked at 122 BPM.
Oberlune releases Paragon on Deep Orizon on November 3, 2026, catalogue GRM26125DS. Four tracks, one theme. The genre tag sits between Progressive House and Deep House, and the record actually behaves that way: the same title is filtered through different rooms rather than padded out with filler.
The structure is the interesting part. The Original Mix runs at 122 BPM in G Minor over 5:15 and carries the deep house core of the record. The Instrumental and the Selvorn Remix both stretch to 6:09 at the same tempo but flip to D Major — a brighter, more open frame for the progressive reading, with Selvorn adding a driving interpretation on top. The Radio Edit closes the sequence at 3:42, back in G Minor, a shorter cut for tighter slots.
What sets it apart is the key contrast. Major and minor versions of the same idea at identical BPM mean the mood changes without the pulse moving — a useful tool when you want a transition that shifts colour mid-set. The Instrumental gives DJs a version with nothing competing for the vocal space, and the extended lengths of the progressive cuts leave room to build. The writing stays patient; nothing here rushes to a drop.
Practically: the Selvorn Remix fits early-to-mid progressive sets and outdoor sunset rooms, where the D Major lift reads as warmth rather than cheese. The Original Mix and Radio Edit work better in later, smaller spaces — after-hours floors that want the groove without the reach. For selectors who program by key and mood, this is a record to study as much as play.
